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How is a famous painting like the Venere by Botticelli or the Monnalisa by Leonardo made?All this information has been handed down to us thanks to the meticulous work of historians and artist-writers, and now, thanks to the technology of restoration, we are able to evaluate the results and appreciate them even more.Cosma e Damiano”, Riace (Reggio Calabria) Complete restoration of “a secco” paintings by Zimatore Grillo (dated 1914) 2005 Director of restoration site: Istituto Geografico Militare, Florence Cleaning, consolidation, and retouching of a “fresco secco” painting from the seventeenth century depicting the Natività.May-June 2005 Director of restoration site: Palazzo dei Duchi d’Acquaviva – ATRI – Pescara (Abruzzo) Complete restoration including the reconstruction of 80 % of the “arriccio” of a sixteenth-century fresco depicting the Natività 2004 Director of restoration site: Palazzo Galletti, via di Sant’Egidio, Florence Cleaning, consolidation, and retouching of a nineteenth-century “fresco secco” landscape painting Restorer: Church Sacro Cuore in Ponte a Egola, Florence Discovery and restoration of the vault in the apse and transept decorated with the “fresco secco” technique 2003 Restorer: Eleventh-century parish church of San Leonardo in Cerreto Guidi, Florence Discovery and complete restoration of an eighteenth-century decoration Restorer, Director of operations: Church of Saints Jacob and Lucy called San Domenico Conservation and retouching of faux marble decoration Restorer: Parish of San Miniato Basso (Pisa) Discovery and complete restoration of eighteenth-century frescoes and altars in faux marble 2002 – Restorer: Cathedral of San Miniato Complete restoration of faux marble and stucco in three chapels, the aisle, the portico, and the transept dating from the eighteenth century 2001 Restorer: Church of San Martino , Palaia (Pisa) Restoration of a neoclassico altar in stucco and faux marble Restorer: Collegiata di Santa Maria a Monte (Pisa) Complete restoration of three frescoes by Luigi Ademolli (XVIII century) in the vault of the apse • Marzo 2013 Decorations of the rooms on the first floor of the Renaissance Palazzo Giugni.(Piazza Santo Spirito, Florence)(Soprintendenza per i beni culturali di Firenze) 2015 Instructor: Ex Scuderie- Istituto Statale d’Arte di Firenze – Florence – Restoration of an early eighteenth-century ceiling.



Creation from scratch of faux architecture on all the large windows in the nave • 2000 Exhibition “ Giubileo”, Church of San Domenico, San Miniato (Pisa) • 2001 Exhibition “Il Gioco della Vita”, San Miniato • 2003 Exhibition of two works Galleria d’Arte, “Atelier d’Arte” di Franceschi Eliana, Lucca • 2005 Personal Exhibition of 26 works, San Miniato (Pisa) • 2005 Exhibition of two works Galleria d’Arte, “Atelier d’Arte” di Franceschi Eliana, Lucca • 2006 Collective “Oltre lo sguardo”, Comune di San Miniato (Pisa) • 2006 Personal Exhibition of 30 works “Momenti”, San Miniato (Pisa) • 2006 Personal Exhibition of 12 works “Senza titolo”, Caffè Sant’Ambrogio, Florence • 2006 Exhibition of three works Galleria d’Arte, “Atelier d’Arte” di Franceschi Eliana, Lucca • 2007 Personal Exhibition – Portraits, San Miniato (Pisa) • 2007 Personal Exhibition – Portraits, Villa Zappala, Turin “ Introduction of Vittorio Sgarbi • 2008 Personal Exhibition “Speziali” Castello di Lari PISA (Author Catalogue) • Luglio 2009 Selection and Prize-giving by “Muri d’Autore” and Comune di Valloria – Imperia for a painting door in the city • October 2008 Recognition from the committee created by Vittorio Sgarbi.(Soprintendenza per i beni culturali di Firenze) 2011 Instructor: Church of San Miniato al Montanino-Incisa Val d’Arno – Florence- Consolidation and restoration of a mural dating from the first half of the XXI century (Soprintendenza per i beni culturali di Firenze) 2010 Instructor: Palazzo Giugni – Florence ¬- Restoration of a mural dating from the first half of the sixteenth century (Soprintendenza per i beni culturali di Firenze) 2009 : Director of the restoration of the nineteenth-century skylight and ceiling of Palazzo Guadagni (Piazza Santo Spirito, Florence) 2008 Instructor: Palazzo Pitti – Medici Chapel – Florence Consolidation and restoration of a mural by Luigi Ademollo dating from the first half of the XVIII century in collaboration with restorer Lidia Cinelli, Florence (Soprintendenza per i beni culturali di Firenze) 2008 Director of Restoration: Two ceilings painted in XXth century, consolidation and retouching 2006-2007-(2008) Instructor: Monastery Paradiso degli Alberti, Florence Consolidation and restoration of a series of frescoes in the former monastery of Santa Brigida dating from the first half of the fourteenth century in collaboration with the restoration firm directed by Fabrizio Jacopini, Castelfiorentino, Florence 2006 Director of restoration site: Eighteenth-century palace owned by the Merlo family.Removal of a ‘falso fresco’decoration from a 43-square-yard ceiling May-June 2006 Restorer: Main chapel of the Sanctuary of “SS.This allows me to promote a pictorial-figurative as well as technical-material kind of art that I have displayed in many exhibitions and public events.


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