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Is there any more powerful drug than unfocused teenage sexuality?One of the least scrutable albums ever recorded, the kind of thing that could only have made sense on the high wire of Elliott Smith died at age 34 of two stab wounds to the chest, which was ruled a suicide but is still inconclusive by many accounts.A heavy user of drugs and alcohol, as well as a sufferer of mental illness, Smith nevertheless put out six albums before his death, many of which are now acclaimed by cognoscenti as among the best of their generation.Having done an epic amount of street powder while getting handjobs in the groupie van is not enough.
Hell, Steven Tyler claims to have spent $3 million on cocaine over the years, but would Aerosmith have sounded one iota different if they’d been straight edge? Skip Spence – to start, essentially the Rosetta Stone for drug-induced madness, this is an archive of excess.
No, to make this list, the music on a given album has to chemical influence while also leaching a very specific brand of desperation and/or madness. Roll it, pour it, cook it, crush it, or just get stone-cold crazy; the needle will drop into the groove either way. Everyone had a piece of Spence but Spence, who spent the rest of his life in one institution or another. Spacemen 3 – You’d have to figure when it’s spelled out so blatantly they’re probably pure-veined Mormons pulling off an elaborate inside joke. This fuzzed-out squeamish throb of an album begs for either Jesus or rehab in every other line, each of which is held uncomfortably long, the vocal equivalent of a mescaline freak staring at the wrinkles on their palm: is notoriously hunkered in a blizzard of cocaine of the quality usually reserved for Bolivian generals and Du Pont heiresses.