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Audience members rotate after each set, until they’ve seen all four acts.Afterwards, the groups break up as each person returns to watch their favorite act of the evening perform a final, 30-minute set.He won the room over completely by injecting improvised lyrics about the audience into his songs. The duo brought out a fascinating array of stringed instruments, including guitars, ukulele, and even a Puerto Rican cuatro.Then the groups dispersed, heading back to their favorite act for the finale.Microsessions, the creation of producer Paul Schomer, are designed to expose fans to new live music in an efficient and time-conscious way.Each event features five acts playing five sets simultaneously (but in different rooms or areas of one location).Schomer originally envisioned Microsessions as a podcast, broadcast from music hotspots around the country, but later decided to launch it in Austin.



Founder and creative mind behind Microsessions, Paul Schomer, came up with the kernel of his concept years ago, after attending a songwriters’ happy hour in Austin.

At a recent show, my group listened to chill songstress and Black Fret 2017 major grant winner Sarah Sharp in the first room.


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