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However, not all kouroi are images of a deity; many have been discovered in cemeteries where they most likely served as commemorative tombstones of the deceased, also the type was used as a memorial for victors in the games (like trophies), kouroi were used as offerings to the gods, (Pausanias describes the statue of Arrhichion, an Olympic pankratiast, as in the kouros scheme), and some kouroi have been found in sanctuaries other than that of Apollo.They are typically life-sized, though early colossal examples are up to 3 meters tall.The female sculptural counterpart of the kouros is the kore.Notable works of the time include the New York kouros (Met 32.11.1), Dermys and Kittylos (NAMA 56), Delphi Twins (Delphi Mus. The conception of form in this period is abstract and geometrical, emphasis is on architectural shape and the interrelation of parts which favoured expressive pattern over realism.
Figures display the four faces of the block from which they are carved, their form is cubic with details incised, and their anatomy is only partially understood.
Again this may have represented athletic or heroic nudity – immortalising the youth as he appeared in the palaestra, but no examples have been found at Olympia nor do they bear any allusion to athletic equipment.
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